WELCOME MESSAGE FROM THE AUTHOR

Welcome dear Film Freaks --- this is your Asylum.


As defined, an Asylum is a place of security and tranquility. If you are about the task of converting your talents into a career in Film, you have most assuredly come to the right place.


Please take note that everything here is given freely. These pages are not cluttered with any manner of Advertising Banners or Pop-Up’s, there are no Google Ad’s; any commercial site Links you find here are provided solely for their value to you as a resource. All are Direct Links to the site indicated, I do not profit in any way from your going to those sites from this page. You will quickly find that all of the information provided here is rock-solid, valuable information obtained through two years of extensive in-depth research and interviews with Industry Professionals; information and resources that will save you a vast amount of time, heartache and money if you apply what you learn here.


Come now - enjoy, employ, post your comments, email me with any of your thoughts or questions, Subscribe and be the first to receive fresh insights and updated information; and please, do expose this quality Blog to your friends and colleagues so that they too might take advantage of Film Freaks Asylum's rich and rewarding resources. And, please be aware that the humorist in me has given way to some occasional R-Rated banter.


The best of success to you; Rick Denny

4/5/09

HOW TO WRITE MONEY MAKING SCREENPLAY’S

Sharpen The Ax
Hone Your Craft


The best Athletes in the world have a Coach for a reason. But not only do they have a Coach; the best Athletes in the world train long and hard under the best Coaches in the world.

Profoundly talented and immensely humble people, like myself, have a tendency towards being blinded by their strengths with little capacity for seeing their own weaknesses. What is of paramount importance to our breaking into the Film Business, and once we are in, sustaining career growth, is that we are continuously about the task of expanding ourselves; educating and reeducating ourselves; --- that we hone our craft.

The best writers in the world have an editor for a reason. Publishers, in our business Producers; Editors, and in the Film Industry Readers, know better what reads and what does not, what will sell and what will not. We need to learn how to write, not to please ourselves, but to please those who have the capacity of turning the written page into a Finished Film.

SIDE NOTE: I’m one of the most radical dudes you’ll ever care to meet. In addition to the obvious, I’m also a Painter of extremely Radical Abstract Paints; create radical Digital Art like the example you see above; and as well, I create extremely radical electro-ethereal music and soundscapes. So, if anyone would think to make a radical Film, it would be me. But my goal is to have a long enduring career in the Film Industry, I am not interested in making Film's that only a few thousand people would pay to see, I am interested in making Movies that attract tens of millions.

As much as it is true that every now and then a Blue Moon
doth shine down upon some whacky, radical Filmmaker who has been greenlighted to make some whacky, radical Film; and even goes on to blow everyone's mind by doing great at the Box Office. Nevertheless, if you want to succeed in the Film Business - Bet the odds, is more than just sage advice. For every radical Film that has ever been made, there are countless many more radical minded Wannabe’s out there, who still are just that, --- Countless Wannabe’s out there. They are not in the Film Business, because the people who finance Film’s – Bet the odds.

My advice again - Bet the odds
(by this I mean make Film's based on proven models of success); give those who turn a written page into a Finished Film what they want; what they are shopping for; what they buy; what they finance. Write Screenplay’s and Produce Shorts and even Features on Spec that fit within the model of what sells well in today’s Film Market. If swimming against the stream is more important to you than making money, you really should be making Art Film’s and would do well to quit any notion of breaking into the prevailing Film Market.

As a writer, your worst enemy for success in the Film Biz will most likely prove to be yourself. The curse of the Wannabe Screenwriter is that they tend to be completely enamored with their own style of turning a phrase. Point of fact dear Film Freaks; if you cannot write to please the people who make things happen in the business, you’ll most likely never make it into the business.

With regards to our working towards improving our skills at Screenwriting, there are as many useless opportunities out there today as there are the genuinely useful.
In today's market you can avail yourself of many fine books that have been written by seasoned professionals offering useful guidance. Certainly, if you are so inclined, you can go to Film School and take courses on this and any number of subjects. Attending Seminars and participating in a Screenwriters Association might prove beneficial (but depending on any number of factors, could prove to be a royal waste of your time). But I have become more than just a little convinced that the best way for an already good writer to learn how to write Scripts that sell, is to read Scripts that have already been made into money making Finished Films; Films you have more than likely paid to see yourself.


WHERE YOU CAN GET KNOWN MOVIE SCRIPTS


An excellent resource for Scripts can be found at a website called “ScriptCrawler.” Not the most attractive site I’ve ever come upon, but a truly excellent resource for Scripts to Films that did well at the Box Office. You’ll find quickly a rather extensive list of Scripts for Movie titles you recognize. You’ll also notice that these Scripts do not live on ScriptCrawler’s Server. To the right of the Screenplay title and Poster Art thumbnail, you’ll see that these Scripts are located on sites all over the place, making ScriptCrawler something of a Directory for the location of Scripts that are available (for FREE) Online. Some you read Online, some are available in PDF Format for you to download.


ATSA RAP

Just an FYI: ScriptCrawler was good enough not to trouble us with Pop-Up’s or Under’s, but they do display Banner Ad’s at the top of their page. Once you click on the Link below, I’d recommend you save ScriptCrawler in your Browsers Favorites file so you can return there time and again with ease.

So - go get ahold of one of your all time favorite Movies Scripts, and read it. Study it over and over again. Then get another, and another. Read, read, read, read, read. --- Let these successful Script's be your guide to writing Screenplay's that can, if you possess the talent to craft an origial story, make you not only some money, but set you on a path to an enduring career.




KICCASS



4/4/09

THE DIGITAL DILEMMA

Will Your Digital Film Survive 100 Years of Storage?

This article is unique in two significant ways. First, I am not the author of what you are about to read; and secondly, this is very important information to anyone interested in a Film career in this present Digital Age.

The publication I hope to convince you to read is titled THE DIGITAL DILEMMA, which provides what in my estimation amounts to a Film School level education regarding Film Media with an emphasis on Digital Film Media and what it will take in cost and equipment to Archive our Films for a hundred years without loss or corruption of data or quality.

Quite frankly, if you are just getting started on your path towards a Film career, you will learn a great deal about a large body of things relevant to the industry by reading this document, information that could have otherwise taken you many years to obtain. Though it was released in 2007, the information contained within this publication is current and pertinent to this very day, and will remain pertinent for decades to come.

THE DIGITAL DILEMMA is the result of a study performed by The Science & Technology Council, a branch of the American Motion Picture Arts and Sciences (AMPAS, the Oscars people). A printed version would cost you $20.oo, but if you click on the Link I’ve provided for you below, it will take you to a page on the AMPAS Website where you are given there the opportunity to Download a colorful book-quality PDF version at no cost.

When you get to that page you will see that you have to Register in order to Download a copy. The Registration process is immensely simple, taking me less than twenty seconds to accomplish. This is a truly rich document, providing detailed information mixed with Film Industry History important to any Filmmaker no matter how long they’ve been in the business.

Here is just a sample of what you will find there:

“.....the goal of a digital preservation system is that the information it contains remain accessible to users over a long period of time. The key problem in the design of such systems is that the period during which such assets need to be accessible is very long – much longer than the lifetime of individual storage media, hardware and software components, and the formats in which the information is encoded.”

“Archiving of digital assets is a new challenge for the studios.”

“There is also much concern about the trend to create digital masters at 2K (only slightly better image quality than HDTV), which contains significantly less visual information than the film masters created today, or even those created 40 years ago. The fear is that projection and display technology will continue to improve, but the archived source material will produce nothing better than what can be seen on today’s display technologies.”

Excerpts from “The Digital Dilemma,” pages 13 & 14, The Science & Technology Council




KICCASS